'Christ Is Not An Aryan' on top of Axel Spinger Building in Berlin, 2007
I began my art practices by exploring human identity in my portraiture and curatorial work. Interested in the synergy of art and science, I experimented with transforming the production and consumption of representational art through modern 3D digital technologies.
For the last 15 years, I have been inspired by the social impact of art and creativity. I discovered that art can not only express issues, it can deal with the issues directly, empowering people to change the world and reach for the common good. Believing in the notion that art shapes creativity, creativity shapes innovation and innovation shapes the world, I wish to influence social change by enabling the creativity of younger generations through my Social Art project MASK.
Graduating in science, Alla Tkachuk (BSc MSc FRSA) has enjoyed a career in fine art. Her work has featured on the front pages of The Times (UK) and Bild (Germany), and in the Guardian, Independent, Jackdaw Art Review, Art Industry, Hello!, Der Spiegel, Die Welt, ITV, and other media platforms. She has exhibited worldwide. Her work is included in the art collections of the Royal College of Music and the BBC Public Ownership Collection. She is a recipient of the Leverhulme Artist-in-Residence Award, UK Millennium Award, and Gold Medal of the Lead Awards. Alla is an RSA Fellow. She is based in London, UK.
Social Art project MASK, 2007-ongoing
In 2007, Alla founded the MASK project in Kenya to empower young people through art and creativity. MASK has since reached its beneficiaries in 13 countries in Africa, as well as UK, USA, France and South Korea. It exhibited at UNESCO, Saatchi Gallery, Turner Contemporary, Nairobi National Museum, the US Library of Congress and other institutions. It was named ‘Most Innovative Learning Organisation 2020’ by SME News (UK).
The 20th Century Naked Dictators series, 2002–07
This series of oil paintings, digital prints, wallpaper/textile design, and animation explores the historical figures of Hitler, Mussolini, Franco, Mao, and Stalin. The series was exhibited at Crone Gallery in Berlin in 2007 and featured in international press. The Times (UK) called 'Siamese Twins' as ‘The Image of the Week' in 2003; the Saatchi Gallery named it the 'Critic's Choice' in 2007. 'Christ is Not an Aryan' animation was screened on top of the Axel Springer Building in Berlin in 2007 and dabbed as ‘one of three things to see in Berlin’ by Bild and BZ. Full figures of ‘The Dictators’ were published in Der Freund magazine (Germany) in 2005. Other works featured in Berliner Morgenpost, Sleek magazine, and Die Welt (Germany).
Prince Charles Series, 2000–02
Following a sitting at Highgrove, Alla created a series of drawings and paintings of Prince Charles. The paintings featured on the cover of The Times (UK), Bild, and Der Freund. The 'Black Prince’ won the Gold Medal of the Lead Award for ‘Best Magazine Cover of the Year 2005'. The series was exhibited at Ebury Galleries in London's Belgravia in 2002.
The National Portrait Gallery seminars, 2002–06
Alla curated her own seminar series on modern portraiture ‘The Changing Face of Portraiture’ at the National Portrait Gallery in London, debating how portraiture can escape the ‘shackles of convention’ with leading artists and critics such as Maggi Hambling and Tim Marlow. The Times (UK) was the series’ media partner. It wrote:
‘Alla Tkachuk believes that radical new concepts are needed in portraiture today. She would like to encourage 3D digital and installation portraiture, has invited a cosmetic surgeon to discuss his work “sculpt faces”, commissioned a “sound portrait” that uses computer software which translates image into music, and offered herself as a living portrait to grace the walls of the NPG. Tkachuk intends the choice of venue to be provocative. The NPG was established by the Victorians as a gallery about the history and status of the sitter rather than the quality of the portrait as art.’ (The Times, 13 June 2006.)
Instigative Heads, 2004–08
Alla's ‘Instigative Heads’ explored the transformation of production and consumption of representational art through modern 3D digital technologies. 'The ‘Heads’ are 3D scans of facial expressions (‘texture maps’), which were rendered as oil paintings, then 3D-digitally merged and moulded in space and time, and then 3D printed and projected using integrated electro-acoustic landscapes and augmented reality. The series was shown at the National Portrait Gallery as part of Alla's 'The Changing Face of Portraiture’ seminars in 2006; at the Shunt, London, in 2007 where viewers could interact with the 'Heads' through motion-sensing technology; and at the Balaklava Odyssey Media Art Festival in the Crimea in 2010.
Alla has written a column 'How to Look at Art' for the Kenyan newspaper The Star since 2014, and contributed to the blogs of the Royal Society of Arts (UK) and the Results for Development Institute (USA), and magazines AD (UK), Childhood Education (USA), Private Sector (Kenya).
She painted opera singers in thier roles at the Royal Opera House between 1997 and 2018. They included Sir John Tomlinson, Dmitri Hvorostovsky, Sir Bryn Terfel, Dame Felicity Lott, Angela Gheorghiu, Sir Willard White, Sir Thomas Allen, José Cura and Marcelo Àlvarez. The paintings were exhibited at the Royal Society of Portrait Painters, the Royal Opera House Shop, and the Russian Culture House in London.
The Royal Ballet commissioned Alla to paint a portrait of Dame Ninette de Valois. She also painted Dame Darcey Bussell, Irek Muhamedov and Jonathan Cope. The portrait of Dame Darcey Bussell featured on the front page of The Times (UK) in 1998.
Among her private and public portrait commissions are portraits of the Vice-Chancellor, Professor David Dilks, commissioned by the University of Hull; George Steiner, commissioned by Queen Mary University of London; Academician Uryi Osipov, commissioned by the Russian Academy of Science; as well as Sir John Nott, Lord Bird and other public personalities.
Saatchi Gallery Alla Tkachuk | Saatchi Art